Dis-locative Spaces and Digital Interactions

The concept of space constantly is growing with the advancement technology. spatial interactions using digital media provide new possibilities to bridge between physical and spaces. Location not all about longitude latitude, but added layer which may change idea positioning. Over last decades, studies faced many conceptual perceptions. approach having/imagining different worlds spaces, such as cyberspace space, has been mostly formed by distinguishing them. Adriana de Souza e Silva (2006) drew a chronology for these imaginary spaces from virtual hybrid space. Hybridizing nomadic technology like mobiles become more popular indicates how interfaces are transparent in our everyday life. So, hybridity occurs when interconnection accessible people who can interact with, through devices, wearable, headsets, etc. In this respect, needed be filled data, Manovich (2006, p.226) defined augmentation “overlay[ing] layers data.”
 question reality valid anymore since both affecting each other. And, maybe it time think interlinked their effects rather than separating labelling them real unreal. Technology play crucial role changing interaction space.
 paper will investigate relation production dis-locative dislocation environment that reveals interconnected realities ways narratives. created under influence use art project Shadows Another Place case study. It explore dis-location profit theories including Production Space Henry Lefebvre, Supermodernity Non-places Mark Augé, Relational Spaces Scott McQuire.
 Paula Levine scholar artist experiments maps, geolocation dynamic web-based transposed three artworks San Francisco <-> Baghdad, Wall, TheWall-TheWorld. series, she tries challenge geographical distances hybridization series artwork examines discussion around investigates questions locations dislocation, unreal, intervening world vice versa. Question ‘where am I’? What un/real? How affects versa?